Shadowrun dreams (player POV session reports)

My last Shadowrun session (I am playing a campaign as a player after YEARS) is still fresh and I am so hyped right now. My samurai elf has chromed the last part of his body before going below the critical Essence threshold that can get you easily into cyberpsychosis: now I have nightvision, legs with enhanced jump, some body armor and a retractile blade on the arm, alongside the big tits with white led nipples.

The GM runs the game without the book at hand, he seems to make up most of the things and is actually very forgiving, I am sure he has spared my character from death at least once or twice (I made it clear that I was ok with rolling another character after that battle on the morgue, but he rolled something in secret and some random doctor there attended me miraculously). 

As a very succint summary of the campaign: one elf, one dwarf and two trolls were hired by a fixer to find the assassin of his friend. The leads took us to another city, where somehow we joined a gang that was the most probable perpetrators, and escalated slowly into the ranks. In our first mission, we were requested to scare some homeless away from a metro station, as they were interfering a bit with the drug dealers there. After a bit of negotiation, I hurled one of them under a train, and told the rest that I would do the same every day until they all left. The next day they rebelled on me, and I killed them all, soaking the katanas in the blood of old, sick and/or mostly disarmed men and women. That brought me a lot of respect in the organisation, but I knew my character was only pretending being heartless to himself. Little by little, the lawful in me got into the elf.

After weeks investigating, we found out that a high-rank member of our gang, a doctor, is using a fully chromed berseker to kill people and record it on BTLs (some kind of videos that are filmed through the eyes of a person, in this case, the assassin), and then sells them in the black market. We soon found out that it was the lead that hinted to our "main mission" which was almost forgotten at this point. My dwarf friend achieved for us a trial to work for the doctor personally, as assistants. We only had to undertake a simple mission of slaying a family who had a money debt with our employer. I knew I wasn't doing that mission, and my elf found out as soon as he went into the place and saw the man at his electric appliances shop. I enjoyed roleplaying how I gave him 10.000 yens for them to escape. 

"But with this, I could pay the debt with the doctor"

"He doesn't want you to pay. He asked me for your heads for his collection. The money is so you can get out of the city by nightfall, because tomorrow, another assassin will come who wont be me. I have done what I could, but the decision is on you" 

 I am enjoying a lot this kind of roleplaying moments. I love having a character arc with angst, loneliness and nihilism, then some regrets, redemption and honor. I like that it contrasts with the dwarf, who my friend is roleplaying as the classic hyperpractical character, but we get along well (in character, i mean, though the guy is a good friend ooc)

Today we were determined to survive the gang's attempt of execution, as they would surely know by morning that we had betrayed them. But before that happened, some havoc started in a nearby shopping center: Several squads of Lone Star (the setting cops) were trying to reduce a berseker'd assasin, which we assumed it was our target (It wasn't the exact one actually, we found out shortly after that there were multiple of them). 

Onane, the dwarf, managed to shot some srynge that stopped the cyberpsychosis WITH A SLINGSHOT into the guy's head. This gave a cop a chance to climb the guy and blast it from atop of his shoulders (losing his leg to the monster's final attack). The last thing recorded in his BTL is my friend making the sign of victory (he genuinelly did it without remembering he was being recorded. I really enjoyed that detail hahah). The doctor called us in our PDAs to yell at us and tell us we were dead men; as his best man was hunting our heads from that very minute.

Without access to the gang's headquarters, we had to find a place for the night, and was dead set on sleeping at the metro station of St.Mary, where I had killed all the homeless. I bought some auto-heating ramen (they are ubiquitous and serve as rations in our game) and invited some homeless people there, who didn't recognize us as they were new dwellers. After some rolls by the master, they were moved by the ramen's offering and, figuring out Onane was the hero of the shopping center, took us to a secret place where nobody could find us. We spent four days amongst the homeless and we bought them 18 medikits with the totality of our money. They cut our hair (my emo elf hair, and the dwarf's beard) after that time, and disguised as homeless men, we went back to our former city, where the campaign started.

Back home (the local brothel) I gifted our whore friend Coyote my old katanas, now obsoleted by the armblade, and she hung them behind the bar, sticking the nails with a big whiskey bottle. It brought me a true feeling of ¿accomplishment? realising how my character had changed from a clumsy samurai who failed all fighting rolls and whose only dream was having breast implants, then delving into evil trying to find some place in the world, and then disregarding everything, even my own safety, towards making what I thing the elf feels its good. Its really fun. I even put voices and act sometimes.

Parallel to all that, we invest trash a lot of our yens into making a Trap Band: We are keeping a list of song titles and we spend money to record and air them into some shitty channel. It's a cool sidegame because the songs are named after things we have lived in-game. No more explanations, but the current list:

1. More money than faith
2. Automatic ramen
3. Hot as the wasteland nights
4. Railways to heaven
5. Rooftop watch
6. Broken memories
7. Cayman and Caywoman
8. Doctor Richards is an assassin

I have been a GM in cyberpunk games before, and there are some points that are worth remembering for my/your future games.

1. Fame. We randomize stuff for our Trap Band: the quality of the songs or the fame we get every now and then. On the last session, we went viral on the city: everyone knew us, even though our music is shitty and we are seen as a joke band. I think that is interesting to portray fame as something easy to win and lose in this settings. Maybe by naming one or two names of recently famous singers/samurais/gladiators/whatever, make them appear tangentially on the plot and then allowing the characters to become the recent celebrity for a while, realizing that they are now where the other guy was. Just to be forgotten in a while by most. 

2. The importance of the analogic in a digital setting. Analog motorbikes cannot be hacked and found by GPS. Analog weapons cannot be neutered by an electromagnetic field. Digital shit can and will always be tampered with, remotelly even, at the GMs discrection. And this is OK and is genre-appropiate. But this is also very cool because it allows you to put there some unique/custom vehicles, weapons and artifacts. See pic below:

 

reflections from an ongoing 4 month campaign

I have been running a weekly campaign during this last four months. It had been intended for three friends and me, but it has gone out of hand and now I have an "open table" with 9 different players, with sessions oscilating between 3 and 7 persons every fucking wednesday evening, sometimes also sunday morning. At first I wanted to do two groups, but it proved to be very difficult to divide the people, so in the end I went with it... and was greatly surprised on how good the games are going with so many people. I am using the "Trow Fortress" ruleset that im currently copying in here, and I'm going to post some reflections in no particular order:

1. There was a dungeon in front of them right from the start: an abandoned castle's basement custodied by a Roc and a gang of halflings. Some of this halflings became PCs during the first sessions as people joined.  After reaching dungeon level: 2 and getting an unexpected treasure in an empty room, they took all their money and went exploring the map, after losing their tank along the way to some ghouls. 

2. They joined two random NPCs into a quest for a mythical city very, very far from their placement. I rolled with it. The two NPCs (Carls and Berg) died fighting with a gang of orcs at some forest. 

3. The party heard rumours of orc raids on the north, with lords rewarding all brave warriors coming to defend their castles. The wizard wanted to search for that mythical city, the (new) tank wanted to fight the orcs. In the end, voting went to the quest for the city.

4. A wizard had also a cat as an item. I was trying to come up with some interesting rules for familiars, but I didn't had time for it: He went on a solo mission on his own will, wanted to get into an old man's house to loot it. I rolled on some random tables I made up in the spot. He waited until the housekeeper lady went home, and then he came through the window as a bird, and in the first room he found a big chest with a good chainmail: he didn't pick it. He went down the stairs and saw the owner sitting by the fire; put a dagger on his neck and asked the man to take him towards his most valuable treasure (literally). The man, with no sign of fear, said he would. Defiantly, he took the wizard towards a second chest, and opened it, taking his old sword. The man was actually an old soldier, who had been left at the city for being too old to fight against the orcs. He attacked the wizard, who was lucky to be left at 1 hp and having time to run away... but, the old man pursued him and the pursue rolls (yes, i have those) accompanied for one turn, so the wizard decided to transform into a bird, which caused the cat to "fall" from his inventory. The soldier kept the cat from now on, saying that "he would treat it better than that thief". This made the wizard vow to recover that cat, vow that he could not complete (see next point)

5. The wizard's BIRD spell is really useful both in map mode as in adventure mode. It can surveil for enemy armies, reach blocked havens, serves as a stealth mode, enables impossible escapes. Is WAY more useful than a fireball or even invisibility, but still I didn't feel it broke the game at any part. That wizard died, at the doors of the city he wanted to reach. He was constantly bullied by the other players (in a joke manner) to be a coward and always fleeing from combat (as a weak magician should). He snapped and charged against a Black Widow; that was his last action. Three PCs have died so far: wizard, wizard, fighting man. No kobold deaths for now, which is strange as they are by far the most common class.  The other wizard was devoured by wargs during a night crossing a canyon. Right now, there are only two level 1 PCs, the rest oscillate between level 2 and 4.

6. The search for the city was actually quite difficult and they ended up going against the orcs on a session in which the wizard player wasn't there to impede it. They spent three sessions in mass battles, one of them very poorly run by my part. They had to flee an open field battle, but achieved to repel the orcs during a siege. Azalea, the castle's queen, became a relevant NPC after that. Her husband had died in the first orc raids in another city who was set as a distraction, ignorant that his own castle was going to be attacked too. I think that all the players had the feeling that the Fighter and the Queen were going to have some story but in the end they just took a lot of money. In the last session, she has married by force to a new king, as a way to not to let her people to be defenseless after her whole army was wiped.

7. The abandoned city is actually sunken at a great river (think the nile) and they have found some towers that spring from it. There are a lot of nixies living on the sunken rooms; tried to enslave Otakemaru (the tank, which is the implied leader of the party) but the guy passed the save vs spells. They have sacked like 66% of the rooms, but the greatest treasure (wand of fireball, some rubies, a common shield engraved with fire motifs and a rusty chandelier) is in the sunken home of a nixie, who collects fire-related items. They still do not know this. They are now searching for a kobold outlaw who is accused of assasinating a prince, for a reward of 4000 silver coins. I am really enthralled on the fact that they engage with the map to the point of leaving dungeons half explored, im getting a lot of fun with it. As a zen moment, I like to paint the hexes that they have walked through in watercolors every week.

8. After reading this last week, I proposed to halve XP requirements from now on, but double GP costs for everything. They voted yes. Lets see how this works.

9. They stole a battle against two wooden golems at a tower by having all kobolds shoot arrows vs them. It seems terribly wrong that those guys have no immunity to arrows and cuts RAW. The whole thing seemed so unreal but I let them have it. Hahahah.

10. Three of the characters are alchemists. Their "extra" item has been always antidotes (for yellow mold or giant spiders). This has saved a lot of lives, but for now I keep every antidote being useful against one single type of venom.

11. I suck at creating interesting towns. They spent three in-game months in one for the sake of time passing, and I couldn't describe anything interesting going on in that time. There is nothing wrong with it and the game went on OK, but I think I've missed an opportunity. Two of the players (male fighter and female kobold) wanted to find GFs and i had them roll 2d6 to see how hot they were.

12. Having a lot of players is very fun if combined with a whassap group or something similar. I like how the ones that played that day tell the tales to the guys that could not come. They don't realize, but they help me in my task a lot by describing the world to the others through their eyes. They generate a visual picture, but also feedback and hype amongst the others. I think that I now get a hint of what the "west marches" play is, and is gorgeous.

13. There is a "great problem" in the fact that some players travel great lands, and the rest of the party wants to be there in the next session too. I've used ravens for communication (certain ravens are trained to send messages to certain cities, and they are an expensive but reliable system) and sometimes I've made the second set of player characters make their travel rolls hex by hex, checking for encounters and such. But sometimes I've just ruled they were there and go from it. I also find weird to run the sub-systems of upkeep costs or mantaining a campament if the players are not present in the session, so I just make them to be good when their players are not there. This is not realistic at all but is what Im doing right now until I make up something else.

14. I have little spells written but I'm very proud on how they are working so far. DISGUISE transformed the cat into a tiger, and a lizard into a dragon (which was the key to stop an orc siege), and DIVINATION has come into use into the most recent sessions and i think it works great in giving limited information about ANYTHING the players want to know. (Is X treasure here? Is Y character dead? How many orcs are coming?). I feel I could go on forever telling small snippets of the game, so if you like it, just say so in the comments and I will continue doing this kind of entries from time to time. Thanks a lot for your time, reader friend!